domingo, agosto 21, 2011
sábado, agosto 20, 2011
sexta-feira, agosto 19, 2011
quinta-feira, agosto 18, 2011
quarta-feira, agosto 17, 2011
terça-feira, agosto 16, 2011
The X-Factor estreia dia 20 de Agosto
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| Gary Barlow |
Júris do programa: Louis Walsh, Tulisa Contostavlos, Kelly Rowland e Gary Barlow
domingo, agosto 14, 2011
Howard Donald: I hope Take That are Back For Good
"We want people to go home and go to sleep with a smile on their face, be blown away by it and hope a Take That ticket goes on sale again in a couple of years."
Howard Donald in The Sun
sexta-feira, agosto 12, 2011
quinta-feira, agosto 11, 2011
sexta-feira, agosto 05, 2011
Ego de Robbie Williams pede regresso à carreira a solo
Robbie Williams culpou o ego por querer voltar a uma carreira a solo. O cantor explicou que quer voltar a uma digressão em nome próprio, o que levará a que não possa actuar regularmente com os Take That.
“Os concertos têm sido verdadeiramente extraordinários, melhor período da minha carreira até agora, com aqueles rapazes. Partilhar isto com alguém é muito melhor do que fazê-lo sozinho, mas depois o ego quer, precisa de uma série de outras coisas e começas a preparar a tua própria digressão…os outros rapazes vão sair afastar-se durante um tempo e eu não sei muito bem qual será o futuro com eles. Mas temos que fazer isto outra vez, é tão divertido”.
Os Take That terminaram na passada sexta-feira a digressão “Progress” e prepara-se para lançar oficialmente o single “When We Were Young” no próximo dia 22 de Agosto.
“Os concertos têm sido verdadeiramente extraordinários, melhor período da minha carreira até agora, com aqueles rapazes. Partilhar isto com alguém é muito melhor do que fazê-lo sozinho, mas depois o ego quer, precisa de uma série de outras coisas e começas a preparar a tua própria digressão…os outros rapazes vão sair afastar-se durante um tempo e eu não sei muito bem qual será o futuro com eles. Mas temos que fazer isto outra vez, é tão divertido”.
Os Take That terminaram na passada sexta-feira a digressão “Progress” e prepara-se para lançar oficialmente o single “When We Were Young” no próximo dia 22 de Agosto.
Howard in Barbados
Take That's Howard Donald washes his goggles in the spray as he hits the beach following the end of the band's recent record-breaking tour.
quinta-feira, julho 14, 2011
Take That - When We Were Young
Music video by Take That performing When We Were Young. (C) 2011 Polydor Ltd. (UK)
sexta-feira, junho 24, 2011
sexta-feira, maio 27, 2011
Take That: Progress Live Tour - The First Night
Take That bring Sunderland to their feet, kicking off their 36 date European Progress Live Tour by unveiling a fully operational 20 metre mechanical man as the stage centrepiece!
Take That kicked-off their Progress Live 2011 tour tonight Friday May 27th at Sunderland’s Stadium of Light in spectacular fashion. The tour, one of the most highly anticipated music events of the summer, is the first time the band have toured as a five-piece since 1995. The awesome live show celebrated their biggest hits from the last two decades, saw Robbie take to the stage to perform songs from his incredible chart-topping solo career and revealed an amazing set which includes a fully operational 20 metre tall man the band have nicknamed ‘OM’.
Gary Barlow, Howard Donald, Jason Orange and Mark Owen took to the stage at 8.30pm to start the show to a deafening crowd reception starting as they meant to finish, with their biggest hit to date ‘Rule The World’. They then delivered four more of their biggest songs as a four piece including: ‘Greatest Day’ (including a huge yellow confetti canon blast), ‘Hold Up A Light’, ‘Patience’ and ‘Shine’ (which saw the band joined onstage by an Alice in Wonderland style dancing cast of dancing trees, roller-skating bees and huge caterpillar).
Next four became five, as Take That briefly united onstage ‘virtually’ through a huge video screen to sing their own version of Sgt. Pepper’s Lonely Hearts Club Band; creating the bridge between the first two parts of the show.
Robbie Williams then kicked off his solo set with a stadium thumping ‘Let Me Entertain You’ which had the crowd jumping off their feet. His set proceeded through his own classics: ‘Rock DJ’ (where he climbed into a glass chariot to be pulled around the stage by dancers in roller-skates), ‘Come Undone’, ‘Feel’ (which saw him winched out to the audience) and of course finishing with the amazing ‘Angels’.
Before the five are reunited properly onstage a group of ominous looking Shaolin monks adorned in red cloaks swinging lanterns walk from the B-stage to the main stage to introduce their arrival. Take That then sing the song that marked their historic return; ‘The Flood’. For this the dancers performed an amazing routine taking place on a wall of water while the band sang from the highest part of the stage.
Robbie threw himself off the top for the finale of ‘The Flood’ to the floor via suspension cables before the band break into an explosive version of ‘SOS’ from their record breaking album ‘Progress’. This is the point where the audience are first introduced to a huge mechanical man who is revealed from behind the stage and slides out in a sitting position for the guys to sing ‘Underground Machine’ (again from ‘Progress’) to rapturous cheers from the audience.
The band then move to the B stage to perform ‘Kidz’ where they start an old skool dance-off involving Jason and Howard, flanked by human chess pieces dressed in black and white. ‘Pretty Things’ is performed back on the main stage with Gary and Robbie being lifted up by OM’s hands as a beautiful ballet dancer flits between the two stages.
Next the band share a few laughs with each other and the audience about old times before gathering around a piano for a medley of ‘Million Love Songs’, ‘Babe’, ‘Everything Changes’, ‘Back For Good’ and ‘Pray’ the final song for which they get up and do the original dance routine while the crowd go crazy.
Gary, Howard, Jason, Mark and Robbie then begin what has to be one of the high points of the show: new XMen single ‘Love, Love’ featuring twenty dancers in gas masks flanking the band on either side of the main stage, while the mechanical man moves out into the middle of the stadium (carrying the band), with an awesome futuristic landscape on the VT behind which takes up the entire back wall.
As the show draws near to its finale the band break into ‘Never Forget’ as OM reveals his full height (20 metres) and the band then finish with ‘No Regrets’, a fiery performance of ‘Relight My Fire’ (with Robbie singing Lulu’s part) closing the show with Gary Barlow leading on the beautiful ‘Eight Letters’ (also the final track on ‘Progress’).
Take That kicked-off their Progress Live 2011 tour tonight Friday May 27th at Sunderland’s Stadium of Light in spectacular fashion. The tour, one of the most highly anticipated music events of the summer, is the first time the band have toured as a five-piece since 1995. The awesome live show celebrated their biggest hits from the last two decades, saw Robbie take to the stage to perform songs from his incredible chart-topping solo career and revealed an amazing set which includes a fully operational 20 metre tall man the band have nicknamed ‘OM’.
Gary Barlow, Howard Donald, Jason Orange and Mark Owen took to the stage at 8.30pm to start the show to a deafening crowd reception starting as they meant to finish, with their biggest hit to date ‘Rule The World’. They then delivered four more of their biggest songs as a four piece including: ‘Greatest Day’ (including a huge yellow confetti canon blast), ‘Hold Up A Light’, ‘Patience’ and ‘Shine’ (which saw the band joined onstage by an Alice in Wonderland style dancing cast of dancing trees, roller-skating bees and huge caterpillar).
Next four became five, as Take That briefly united onstage ‘virtually’ through a huge video screen to sing their own version of Sgt. Pepper’s Lonely Hearts Club Band; creating the bridge between the first two parts of the show.
Robbie Williams then kicked off his solo set with a stadium thumping ‘Let Me Entertain You’ which had the crowd jumping off their feet. His set proceeded through his own classics: ‘Rock DJ’ (where he climbed into a glass chariot to be pulled around the stage by dancers in roller-skates), ‘Come Undone’, ‘Feel’ (which saw him winched out to the audience) and of course finishing with the amazing ‘Angels’.
Before the five are reunited properly onstage a group of ominous looking Shaolin monks adorned in red cloaks swinging lanterns walk from the B-stage to the main stage to introduce their arrival. Take That then sing the song that marked their historic return; ‘The Flood’. For this the dancers performed an amazing routine taking place on a wall of water while the band sang from the highest part of the stage.
Robbie threw himself off the top for the finale of ‘The Flood’ to the floor via suspension cables before the band break into an explosive version of ‘SOS’ from their record breaking album ‘Progress’. This is the point where the audience are first introduced to a huge mechanical man who is revealed from behind the stage and slides out in a sitting position for the guys to sing ‘Underground Machine’ (again from ‘Progress’) to rapturous cheers from the audience.
The band then move to the B stage to perform ‘Kidz’ where they start an old skool dance-off involving Jason and Howard, flanked by human chess pieces dressed in black and white. ‘Pretty Things’ is performed back on the main stage with Gary and Robbie being lifted up by OM’s hands as a beautiful ballet dancer flits between the two stages.
Next the band share a few laughs with each other and the audience about old times before gathering around a piano for a medley of ‘Million Love Songs’, ‘Babe’, ‘Everything Changes’, ‘Back For Good’ and ‘Pray’ the final song for which they get up and do the original dance routine while the crowd go crazy.
Gary, Howard, Jason, Mark and Robbie then begin what has to be one of the high points of the show: new XMen single ‘Love, Love’ featuring twenty dancers in gas masks flanking the band on either side of the main stage, while the mechanical man moves out into the middle of the stadium (carrying the band), with an awesome futuristic landscape on the VT behind which takes up the entire back wall.
As the show draws near to its finale the band break into ‘Never Forget’ as OM reveals his full height (20 metres) and the band then finish with ‘No Regrets’, a fiery performance of ‘Relight My Fire’ (with Robbie singing Lulu’s part) closing the show with Gary Barlow leading on the beautiful ‘Eight Letters’ (also the final track on ‘Progress’).
Take That’s Progress Live 2011 tour became the biggest tour in UK and Irish history when a record breaking 1.34 million tickets were snapped up in less than 24 hours of going on sale. The band smashed their previous box office record set in 2008 with The Circus Live Tour selling a total of 1.76 million tickets overall, more than doubling their own record for sales in a single day. 850,000 tickets went on sale at 9am on October 29, 2010 and throughout the day the band added a further 11 dates to cope with demand.
Between them, Take That and Robbie Williams have sold over 80 million albums, had 14 number one albums, 18 number one singles, played to over 14.5 million people live, won 20 BRIT Awards, eight MTV awards and five Ivor Novello awards; and the list goes on. The band’s critically acclaimed 2010 album, ‘Progress’, has now sold in excess of two million copies.
Full set list for Progress Live Tour 2011:
Rule The World
Greatest Day
Hold Up A Light
Patience
Shine
Sgt. Pepper’s VT
Let Me Entertain You
Rock DJ
Come Undone (Take A Walk On The Wild Side)
Feel
Angels
The Flood
SOS
Underground Machine
Kidz
Pretty Things
Million Love Songs/Babe/Everything Changes/Back For Good (piano medley)
Pray
Love Love
Never Forget
Relight My Fire
Eight Letters
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