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quarta-feira, novembro 10, 2010
Take That iTunes Takeover: Day 1
Starting today and over the next few days, Gary, Howard, Jason, Mark and Robbie will be revealing to you, lists of their top 2010 and all-time favourite albums, singles and TV shows over on iTunes.
Not only will you be able to get to know the guys just that little bit better, you'll also be treated to a 30 second clip of each track on the new album!
To kick things off, Gary has revealed his very own selection of favourites, alongside the exclusive never-before-heard clips.
Click here to check these out now and make sure you head back to takethat.com each day this week, for more from the guys...
If you haven't picked up your copy of The Flood yet, be sure to download yours over at iTunes and grab hold of the CD single by clicking on the link of your choice below...
Official TT Store / HMV / Amazon.co.uk
Not only will you be able to get to know the guys just that little bit better, you'll also be treated to a 30 second clip of each track on the new album!
To kick things off, Gary has revealed his very own selection of favourites, alongside the exclusive never-before-heard clips.
Click here to check these out now and make sure you head back to takethat.com each day this week, for more from the guys...
If you haven't picked up your copy of The Flood yet, be sure to download yours over at iTunes and grab hold of the CD single by clicking on the link of your choice below...
Official TT Store / HMV / Amazon.co.uk
terça-feira, novembro 09, 2010
Look Back, Don’t Stare: A Film About Progress
There will be exclusive showings of Take That's new film 'Look Back, Don't Stare: A Film About Progress' (the directors cut) on Monday 15th November, worldwide.
Here on takethat.com, we have pairs of tickets to give away for each of these screenings. If you'd like to be in with a chance of attending one of the screenings, click on your venue of choice below to enter. The UK screenings will be the full-length version with extra footage not shown in the ITV broadcast this Saturday.
UK
London
Manchester
Birmingham
Glasgow
Cardiff
Newcastle
Worldwide
Zurich, Switzerland
Sydney, Australia
Johannnesburg, South Africa
Barcelona, Spain
Madrid, Spain
Stockholm, Sweden
Lisbon, Portugal
Oslo, Norway
Milan, Italy
Dublin, Ireland
Cork, Ireland
Amsterdam, Holland
Paris, France
Berlin, Germany
Hamburg, Germany
Helsinki, Finland
Copenhagen, Denmark
Brussels/Flem, Belgium
Brussels/Waloon, Belgium
Vienna, Austria
Warsaw, Poland
In this amazingly candid documentary 'Look Back, Don't Stare: A Film About Progress' the band let cameras follow them for the past extraordinary 12 months to reveal the real story on how they got back into each other's lives and back into the recording studio.
Shot in black and white, and peppered with archive footage, the fly on the wall documentary gives viewers unprecedented access to Gary, Howard, Jason and Mark as they reunite with former band mate Robbie Williams. It tracks their progress as they write and record their new album together and finally confirm the reunion of all reunions to the rest of the world.
It's fifteen years since the band last recorded a full album together in 1995, and the documentary reveals in detail how the reunion came about and how they have all adjusted once more to life as a five piece. In the band's own words they disclose their worries, hopes and concerns about working together again and share the very private process of making their best album yet.
Above all, 'Look Back, Don't Stare: A Film About Progress' documents the story of a unique friendship that started twenty years ago and is now stronger than ever, culminating in the most exciting reunion in British pop history.
Please note that you must be aged 16 years or over to enter this competition and to attend a screening. If you have been chosen, you will be notified by email this Thursday (11 November)
A DVD of the full-length director's cut of 'Look Back, Don't Stare: A Film About Progress' will be released on DVD on December 6th through Polydor Records - preorder it here.
UK
London
Manchester
Birmingham
Glasgow
Cardiff
Newcastle
Worldwide
Zurich, Switzerland
Sydney, Australia
Johannnesburg, South Africa
Barcelona, Spain
Madrid, Spain
Stockholm, Sweden
Lisbon, Portugal
Oslo, Norway
Milan, Italy
Dublin, Ireland
Cork, Ireland
Amsterdam, Holland
Paris, France
Berlin, Germany
Hamburg, Germany
Helsinki, Finland
Copenhagen, Denmark
Brussels/Flem, Belgium
Brussels/Waloon, Belgium
Vienna, Austria
Warsaw, Poland
In this amazingly candid documentary 'Look Back, Don't Stare: A Film About Progress' the band let cameras follow them for the past extraordinary 12 months to reveal the real story on how they got back into each other's lives and back into the recording studio.
Shot in black and white, and peppered with archive footage, the fly on the wall documentary gives viewers unprecedented access to Gary, Howard, Jason and Mark as they reunite with former band mate Robbie Williams. It tracks their progress as they write and record their new album together and finally confirm the reunion of all reunions to the rest of the world.
It's fifteen years since the band last recorded a full album together in 1995, and the documentary reveals in detail how the reunion came about and how they have all adjusted once more to life as a five piece. In the band's own words they disclose their worries, hopes and concerns about working together again and share the very private process of making their best album yet.
Above all, 'Look Back, Don't Stare: A Film About Progress' documents the story of a unique friendship that started twenty years ago and is now stronger than ever, culminating in the most exciting reunion in British pop history.
Please note that you must be aged 16 years or over to enter this competition and to attend a screening. If you have been chosen, you will be notified by email this Thursday (11 November)
A DVD of the full-length director's cut of 'Look Back, Don't Stare: A Film About Progress' will be released on DVD on December 6th through Polydor Records - preorder it here.
Howard Donald injuring his ankle in a gym accident.
HOWARD DONALD better Pray he recovers by Sunday, after injuring his ankle in a gym accident.
The 42-year-old hobbled around London on a pair of crutches today, with a protective cast around his lower left leg.
Bad timing ... Howard Donald
XclusivePix TAKE THAT are due to perform as a five-piece for the first time in 15 years on X Factor this weekend.
They are scheduled to join WESTLIFE and JLS on the TV talent show.
However, Howard looked far from peak condition as he grimaced while manoeuvring with the help of his walking aids.
Back in 2007 he suffered a collapsed lung during the group's Beautiful World tour.
The shaggy-haired singer fell ill after performing a series of gymnastic stunts onstage and was kept on a hospital ward for two days while the rest of the band performed as a threesome.
Last month the quintet of GARY BARLOW, ROBBIE WILLIAMS, JASON ORANGE and Howard shattered sales records by shifting over 1.3million tickets for their stadium tour next summer.
Passatempo Take That
‘Look Back, Don't Stare’
O documentário sobre a reunião da banda exibido em cinema em Lisboa só para fãs!
Preparem-se os fãs dos Take That.
Dia 15 de Novembro vai ser dia para celebrarem juntos a reunião mais badalada dos últimos tempos.
Às 20h00, no Cinema Alvaláxia, em Lisboa, será exibido no grande ecrã o documentário ‘Look Back, Don’t Stare’, o qual retrata os últimos doze meses vividos pelos Take That, depois de voltarem a contar com Robbie Williams.
O documentário sobre a reunião da banda exibido em cinema em Lisboa só para fãs!
Preparem-se os fãs dos Take That.
Dia 15 de Novembro vai ser dia para celebrarem juntos a reunião mais badalada dos últimos tempos.
Às 20h00, no Cinema Alvaláxia, em Lisboa, será exibido no grande ecrã o documentário ‘Look Back, Don’t Stare’, o qual retrata os últimos doze meses vividos pelos Take That, depois de voltarem a contar com Robbie Williams.
O documentário segue os cinco membros da banda compondo e gravando aquele que será o próximo álbum dos Take That: ‘Progress’ (nas lojas a 22 de Novembro).
O filme revela exactamente como a reunião aconteceu e como a banda recuperou novamente uma relação de amizade enquanto quinteto, quinze anos depois de juntos terem gravado um álbum pela última vez, em 1995.
Revelando as suas preocupações, esperanças e ansiedades acerca de trabalharem novamente juntos, o filme partilha o processo bastante íntimo que rodeou a gravação do seu álbum mais aguardado até agora.
PASSATEMPO: Temos 35 convites duplos para oferecer, para receber basta enviar um e-mail para mmpassatempo@sic.pt com Take That e SIC Mulher e se for uma das 35 primeiras, recebe um convite duplo.
"Este passatempo só será válido quando for mencionado no programa, fique atenta!"
"Este passatempo só será válido quando for mencionado no programa, fique atenta!"
sábado, novembro 06, 2010
Take That: Friends reunited
Gary thought it would be awkward, Howard had his doubts, and even Jason's doctor said, 'Don't do it' – but Take That have finally welcomed back Robbie Williams. They tell Alexis Petridis why it's better the second time around.
• The album, Progress, is out on 15 November.
A DVD documentary, Look Back, Don't Stare, is out on 6 December.
quinta-feira, novembro 04, 2010
PASSATEMPO TAKE THAT
Preparem-se fãs dos Take That! Dia 15 de Novembro vai ser dia para celebrarem juntos a reunião do célebre grupo. Às 20h00, no Cinema Alvaláxia em Lisboa, será exibido no grande ecrã o documentário “Look Back, Don’t Stare”, que retrata os últimos doze meses vividos pelos Take That, depois de voltarem a contar com Robbie Williams, compondo e gravando aquele que será o seu próximo álbum: “Progress”. O documentário “Look Back, Don’t Stare” será posteriormente editado em DVD, dia 6 de Dezembro.
A entrada na sessão de dia 15 de Novembro será feita exclusivamente através de convites, com o apoio do Myway portanto se quiseres ganhar aqui os teus, presta atenção!
De 7 a 13 de Novembro, o Myway vai oferecer 5 convites duplos por dia aos 5 primeiros utilizadores que responderem acertadamente à pergunta “Qual os nomes dos 5 membros que compunham originalmente a banda Take That?”. Envia as tuas respostas para info@myway.pt e, se és rápido a mandar mails e sabes tudo sobre os Take That, vais mesmo à ante-estreia! Participa já!
REGULAMENTO:
1. Podes participar no passatempo Take That de 7 a 13 de Novembro. 2. Só serão consideradas válidas as respostas enviadas para o e-mail info@myway.pt. 3. Quaisquer respostas enviadas antes de dia 7 e depois de dia 13 de Novembro não serão consideradas válidas. 4. O mesmo utilizador pode participar várias vezes no passatempo mas só pode ganhar uma vez. Caso volte a participar nos dias seguintes a ter ganho, a participação não será considerada. 5. Os vencedores serão contactados por e-mail e anunciados diariamente na página de fãs do Myway no Facebook. No dia da estreia será colocada uma lista completa dos 35 vencedores no Facebook. 6. A ante-estreia do documentário está marcada para dia 15 de Novembro no Cinema Alvaláxia em Lisboa e o Myway não se reponsabiliza por quaisquer alterações. 7. O convite duplo terá de ser levantado na bilheteira do próprio cinema e é válido para duas pessoas. 8. É da exclusiva responsabilidade dos vencedores estarem no local a tempo de levantarem os bilhetes e entrarem na sessão. |
quarta-feira, novembro 03, 2010
TAKE THAT NOS CINEMAS NACIONAIS
O documentário "Don't Look Back, Don't Stare", sobre o regresso de Robbie Williams aos Take That, vai passar nas salas de cinemas nacionais no dia 15 de Novembro.
A sessão única terá lugar às 20h00 no Cinema Zon Lusomundo Alvaláxia, em Lisboa. A entrada é feita exclusivamente com convites.
O filme vai ser editado em DVD no dia 6 de Dezembro. Antes, chega às lojas o novo disco dos Take That: "Progress". Este é o primeiro longo do grupo com Williams na formação em 15 anos.
Veja o trailer para o documentário no vídeo em baixo:
Clix
O documentário sobre a reunião da banda será exibido em cinema em Lisboa só para fãs
Preparem-se os fãs dos Take That. Dia 15 de Novembro vai ser dia para celebrarem juntos a reunião mais badalada dos últimos tempos. Às 20h00, no Cinema Zon Lusomundo Alvaláxia, em Lisboa, será exibido no grande ecrã o documentário ‘Look Back, Don’t Stare’, o qual retrata os últimos doze meses vividos pelos Take That, depois de voltarem a contar com Robbie Williams.
O documentário segue os cinco membros da banda compondo e gravando aquele que será o próximo álbum dos Take That: ‘Progress’ (nas lojas a 22 de Novembro). O filme revela exactamente como a reunião aconteceu e como a banda recuperou novamente uma relação de amizade enquanto quinteto, quinze anos depois de juntos terem gravado um álbum pela última vez, em 1995. Revelando as suas preocupações, esperanças e ansiedades acerca de trabalharem novamente juntos, o filme partilha o processo bastante íntimo que rodeou a gravação do seu álbum mais aguardado até agora.
A entrada na sessão de dia 15 de Novembro será feita, exclusivamente, através de convites, com o apoio da SIC Mulher, Myway, Destak e Rádio Capital. O documentário ‘Look Back, Don’t Stare’ será posteriormente editado em DVD, dia 6 de Dezembro.
O documentário sobre a reunião da banda será exibido em cinema em Lisboa só para fãs
Preparem-se os fãs dos Take That. Dia 15 de Novembro vai ser dia para celebrarem juntos a reunião mais badalada dos últimos tempos. Às 20h00, no Cinema Zon Lusomundo Alvaláxia, em Lisboa, será exibido no grande ecrã o documentário ‘Look Back, Don’t Stare’, o qual retrata os últimos doze meses vividos pelos Take That, depois de voltarem a contar com Robbie Williams.
O documentário segue os cinco membros da banda compondo e gravando aquele que será o próximo álbum dos Take That: ‘Progress’ (nas lojas a 22 de Novembro). O filme revela exactamente como a reunião aconteceu e como a banda recuperou novamente uma relação de amizade enquanto quinteto, quinze anos depois de juntos terem gravado um álbum pela última vez, em 1995. Revelando as suas preocupações, esperanças e ansiedades acerca de trabalharem novamente juntos, o filme partilha o processo bastante íntimo que rodeou a gravação do seu álbum mais aguardado até agora.
A entrada na sessão de dia 15 de Novembro será feita, exclusivamente, através de convites, com o apoio da SIC Mulher, Myway, Destak e Rádio Capital. O documentário ‘Look Back, Don’t Stare’ será posteriormente editado em DVD, dia 6 de Dezembro.
Take That Progress album review
Virgin Music is most chuffed to be among the first to be able to have a long lovely luxurious listen to Take That's new album, Progress - you know, the one where Gary Barlow takes back Robbie Williams and then they all get naked on the cover. Just like the old days eh? Although there's less jelly being mopped in to crevices now.
Don't let the positive sounding title and sunshiney bright cover lull you in to a false sense of pop gaiety though, Progress is a deceptively dark offering from the usually quite cheerful man band. Okay, we don't mean dark as in emo wrist slashingly dark, just dark compared to Barry Manilow covers and Lulu duets.
The main thought that Progress leaves you to ponder is - where's Gary? It's pretty much a full on Robbie-fest. So all hardy Take That fans better be prepared to welcome everyone's favourite spotlight hogger back to nestle in their collective bosom.
Let's go track by track:
1) The Flood. Yeah yeah you already know this one. But think therefore that you know the album? Think again clever clogs. You can see why they released this single first. It's cosy familiar territory - all suitably epic with swathes of sweeping violins and a big rousing chorus with pretty harmonies... just with Robbie on lead vocals - ooo the novelty. But in context of the rest of Progress you realise that thematically, the metaphor of The Flood offers a taster of how our cardigan-wearing heroes have come over all apocalyptic on our asses. After this track, Progress progresses down a very different path to Beautiful World and The Circus. Blimey - didn't see this one coming...
2) SOS. This is as near as Take That should ever get to The Clash's London Calling. Singing of storms breaking and satellites failing, poor wee Mark Owen cries out to have his soul saved amid the foreboding morse code. And if this isn't enough to shatter our previously safe and comfy preconceptions of what a night in with a Take That LP should offer, Robbie Williams interjects with a chorus call 'like a bullet to the head'. Steady on - what would Marks & Spencer say? This track is where producer du jour, Stuart Price, really stamps his presence and it's all techno, techno, techno beats and bleeps a la Confessions era Madonna. You half expect the video to feature Take That rollerskating around in pink leotards.
3) Wait. More Robbie centre stage in this stripped down, melancholy electro offering that is part Lady Gaga, part Pet Shop Boys. This could have been off of Robbie's last solo effort - albeit with the safety net of a familiar feeling traditional Take That chorus.
4) Kidz. The military look is in right now so this one has us all marching and chanting in unison to the ‘la la la’s. Kidz has a touch of Richard X style Girls Aloud and is only let down by some distinctly A-level sounding anti-establishment political poetry (‘Not sure where the fall out blows… there’ll be trouble when the kids come out…’) or maybe it’s meant to be in keeping with the 80s feel? A token bit of Cold War paranoia adds to the retro military cool after all.
5) Pretty Things. Just when we were getting used to this hip vibe it’s suddenly back to The Circus and it’s all nursery rhyme style harpsichord and violins. Oh and listen – Robbie’s finally let Gary chirp in! Hurrah! Shame it’s on the first track really failing to prick our ears up. Perhaps this is an indication that this new Price-flavoured Take That really is a better idea than retreading old ground…
6) Happy Now. And it’s back to the dark paranoia with Gary belatedly claiming lead vocals back. Again, don’t be fooled by the title – this is the new serious Gary who’s sounding very world weary and cynical (‘Give me half as much but twice as fast – today…’). While this could easily have been traditional Take That fare, Stuart Price touches it up with a trendy electro fringe…
7) Underground Machine. Whoa - step aside Gary, don’t get too settled… Robbie’s back and sneaking us on to some David Lynch film noir soundtrack where repetitive robotic rhythms are overlaid with industrial sound effects (‘The lighting’s cheap and the room is cold…’) This old school dystopia is only lightened by some irrepressible Robbie theatrics. Singing about himself again: ‘You might be good looking but you can’t sleep with yourself tonight. What a beast, what a man…’
8) What Do You Want From Me? A few years ago, a repenting Mark Owen would have been singing ‘Baby, please forgive me – I love you so very much… ooo yeah’ (Okay maybe a bit better than that - we’re no lyricists) but this new bullshit-free Mark now sings: ‘I still want to have sex with you’ and as excuses go – ‘We’re not wise at all, it’s getting harder to recover’ is the best he’s going to offer. Fair enough. Mark Owen has grown some balls. Brilliant.
9) Affirmation. Surely now an uncomplicated, upbeat little ditty that rings true to its title? Nah don’t be silly… more melancholy. Our boys are still reeling in end-of-the-world turmoil (‘I can feel the pressure on our minds – on the whole universe… we’re just incomplete…’) Howard finally gets a crack of the whip but you can’t help feeling that Gary’s stronger vocals would have fulfilled the promise here and enabled this song to burst through to the out and out glorious euphoria that’s been tentatively threatening the whole album. But Stuart Price persuades the lads to keep their cool and err on the side of restraint (a new lesson for Robbie we reckon).
10) Eight Letters. Gary Barlow does Ultravox’s Vienna. Genius. It might even feel a bit – dare we say – ABBA? Is this a bit of the old Take That coming back? Tempered with a bit of reflective melancholy of course… before we all get too carried away.
11) Flower Bed. So they still let Jason have a go, that's nice – albeit on the hidden track. The Vocoder voice effects seal that 80s futurism feel and it’s all very ethereal and Goldfrapp. A lovely light fresh finish to an unexpected but great album. Just as touching and fitting an ending as Jason's little Wooden Boat was.
It might not be the Take That we’re used to but it’s a Take That we could get used to. Maybe even dance a bit to? This direction would never have worked without Robbie on board to give it the confidence needed to pull this off. So it’s away with the M&S cardies and on with the day-glo vests… come back Gary – don’t be shy, you can pull that look off.
The main thought that Progress leaves you to ponder is - where's Gary? It's pretty much a full on Robbie-fest. So all hardy Take That fans better be prepared to welcome everyone's favourite spotlight hogger back to nestle in their collective bosom.
Let's go track by track:
1) The Flood. Yeah yeah you already know this one. But think therefore that you know the album? Think again clever clogs. You can see why they released this single first. It's cosy familiar territory - all suitably epic with swathes of sweeping violins and a big rousing chorus with pretty harmonies... just with Robbie on lead vocals - ooo the novelty. But in context of the rest of Progress you realise that thematically, the metaphor of The Flood offers a taster of how our cardigan-wearing heroes have come over all apocalyptic on our asses. After this track, Progress progresses down a very different path to Beautiful World and The Circus. Blimey - didn't see this one coming...
2) SOS. This is as near as Take That should ever get to The Clash's London Calling. Singing of storms breaking and satellites failing, poor wee Mark Owen cries out to have his soul saved amid the foreboding morse code. And if this isn't enough to shatter our previously safe and comfy preconceptions of what a night in with a Take That LP should offer, Robbie Williams interjects with a chorus call 'like a bullet to the head'. Steady on - what would Marks & Spencer say? This track is where producer du jour, Stuart Price, really stamps his presence and it's all techno, techno, techno beats and bleeps a la Confessions era Madonna. You half expect the video to feature Take That rollerskating around in pink leotards.
3) Wait. More Robbie centre stage in this stripped down, melancholy electro offering that is part Lady Gaga, part Pet Shop Boys. This could have been off of Robbie's last solo effort - albeit with the safety net of a familiar feeling traditional Take That chorus.
4) Kidz. The military look is in right now so this one has us all marching and chanting in unison to the ‘la la la’s. Kidz has a touch of Richard X style Girls Aloud and is only let down by some distinctly A-level sounding anti-establishment political poetry (‘Not sure where the fall out blows… there’ll be trouble when the kids come out…’) or maybe it’s meant to be in keeping with the 80s feel? A token bit of Cold War paranoia adds to the retro military cool after all.
5) Pretty Things. Just when we were getting used to this hip vibe it’s suddenly back to The Circus and it’s all nursery rhyme style harpsichord and violins. Oh and listen – Robbie’s finally let Gary chirp in! Hurrah! Shame it’s on the first track really failing to prick our ears up. Perhaps this is an indication that this new Price-flavoured Take That really is a better idea than retreading old ground…
6) Happy Now. And it’s back to the dark paranoia with Gary belatedly claiming lead vocals back. Again, don’t be fooled by the title – this is the new serious Gary who’s sounding very world weary and cynical (‘Give me half as much but twice as fast – today…’). While this could easily have been traditional Take That fare, Stuart Price touches it up with a trendy electro fringe…
7) Underground Machine. Whoa - step aside Gary, don’t get too settled… Robbie’s back and sneaking us on to some David Lynch film noir soundtrack where repetitive robotic rhythms are overlaid with industrial sound effects (‘The lighting’s cheap and the room is cold…’) This old school dystopia is only lightened by some irrepressible Robbie theatrics. Singing about himself again: ‘You might be good looking but you can’t sleep with yourself tonight. What a beast, what a man…’
8) What Do You Want From Me? A few years ago, a repenting Mark Owen would have been singing ‘Baby, please forgive me – I love you so very much… ooo yeah’ (Okay maybe a bit better than that - we’re no lyricists) but this new bullshit-free Mark now sings: ‘I still want to have sex with you’ and as excuses go – ‘We’re not wise at all, it’s getting harder to recover’ is the best he’s going to offer. Fair enough. Mark Owen has grown some balls. Brilliant.
9) Affirmation. Surely now an uncomplicated, upbeat little ditty that rings true to its title? Nah don’t be silly… more melancholy. Our boys are still reeling in end-of-the-world turmoil (‘I can feel the pressure on our minds – on the whole universe… we’re just incomplete…’) Howard finally gets a crack of the whip but you can’t help feeling that Gary’s stronger vocals would have fulfilled the promise here and enabled this song to burst through to the out and out glorious euphoria that’s been tentatively threatening the whole album. But Stuart Price persuades the lads to keep their cool and err on the side of restraint (a new lesson for Robbie we reckon).
10) Eight Letters. Gary Barlow does Ultravox’s Vienna. Genius. It might even feel a bit – dare we say – ABBA? Is this a bit of the old Take That coming back? Tempered with a bit of reflective melancholy of course… before we all get too carried away.
11) Flower Bed. So they still let Jason have a go, that's nice – albeit on the hidden track. The Vocoder voice effects seal that 80s futurism feel and it’s all very ethereal and Goldfrapp. A lovely light fresh finish to an unexpected but great album. Just as touching and fitting an ending as Jason's little Wooden Boat was.
It might not be the Take That we’re used to but it’s a Take That we could get used to. Maybe even dance a bit to? This direction would never have worked without Robbie on board to give it the confidence needed to pull this off. So it’s away with the M&S cardies and on with the day-glo vests… come back Gary – don’t be shy, you can pull that look off.
terça-feira, novembro 02, 2010
segunda-feira, novembro 01, 2010
Officially sold out
«Progress Live 2011 is officially sold out, with 1.34 mil tix sold in 24 hrs. Thanks to all the fans who bought tickets, see you next year!»
TAKE THAT – ‘LOOK BACK, DON’T STARE’
In late 2009, Pulse Films directing duo FRED&NICK began filming one of the most eagerly anticipated reunions in British music history, as Take That and Robbie Williams entered the recording studio in secret for the first time in 16 years.
With unrestricted and highly privileged access to the band throughout the 12 months that have followed, FRED&NICK have delivered Look Back, Don’t Stare – a raw, intimate meditation on the process of friendship and forgiveness. A story of how a newfound personal honesty inspired the creation of a remarkable record as an enduring document of a group of people inextricably bound by their pasts, who now find themselves in search of progress.
It’s not about money or chart success – this is about life, imperfect relationships, trust, and the righting of wrongs.
A 65 minute version of Look Back, Don’t Stare premieres on ITV1 on 13th November at 9.30pm.
Subscrever:
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